Take the Money and Run

00:33:23,221 --> 00:33:25,221 Yes. If you want me to. 344 00:33:27,725 --> 00:33:29,727 With Louise to inspire him... 345 00:33:29,827 --> 00:33:33,398 Virgil works hard and becomes more optimistic. 346 00:33:33,498 --> 00:33:37,238 She comes frequently for the next few months. 347 00:33:39,303 --> 00:33:44,828 He complains about the food, and she brings him home-cooked meals. 348 00:33:52,116 --> 00:33:56,421 Louise's impact on Virgil is discussed here by Dr. Julius Epstein... 349 00:33:56,521 --> 00:34:00,325 ...one-time prison psychiatrist who recalls Virgil. 350 00:34:00,425 --> 00:34:02,260 Louise meant a great deal to Virgil. 351 00:34:02,360 --> 00:34:04,762 From a psychiatric point of view... 352 00:34:04,862 --> 00:34:08,099 ...his love for her was the healthiest thing in his life. 353 00:34:08,199 --> 00:34:10,565 It was genuine and clean. 354 00:34:11,369 --> 00:34:13,919 Not like some patients I know. 355 00:34:14,806 --> 00:34:16,741 She ain't gonna wait, Virgil. 356 00:34:16,841 --> 00:34:20,156 They think they can, but they never do. 357 00:34:20,211 --> 00:34:23,314 You know, I become eligible for parole in a year and a half. 358 00:34:23,414 --> 00:34:24,983 Yeah? That's nice. 359 00:34:25,083 --> 00:34:28,286 With any luck, in maybe two or three years, you'll get out of here? 360 00:34:28,386 --> 00:34:30,596 It could be a lot shorter. 361 00:34:31,322 --> 00:34:32,523 What do you mean? 362 00:34:32,623 --> 00:34:36,561 He means we got this proposition we wanna talk over with you. 363 00:34:36,661 --> 00:34:38,262 What kind of proposition? 364 00:34:38,362 --> 00:34:41,232 Like next week, five of us are gonna make it out of here. 365 00:34:41,332 --> 00:34:43,391 We need an extra man. 366 00:34:43,835 --> 00:34:47,572 It's all set. By next week, we could be miles away from this zoo. 367 00:34:47,672 --> 00:34:52,110 You guys have got to be kidding. We'd never get out of here, they'd kill us. 368 00:34:52,210 --> 00:34:56,948 We got out of rougher places than this. - Why don't you just think about it? 369 00:34:57,048 --> 00:35:00,051 Ain't no broad gonna wait around for years for you. 370 00:35:00,151 --> 00:35:04,401 No matter what she tells you in that visiting hall. 371 00:35:06,023 --> 00:35:09,093 I think the conflict in this personality disorder... 372 00:35:09,193 --> 00:35:12,163 ...sort of started from his formative years. 373 00:35:12,263 --> 00:35:16,200 I think that it gave evidence in his choice of the cello, for instance. 374 00:35:16,300 --> 00:35:18,669 Studying the cello at the age of six. 375 00:35:18,769 --> 00:35:23,007 He was coming out of the formative years, but the conflict is there within the choice... 376 00:35:23,107 --> 00:35:26,844 ...because it's generally assumed that the cello is a phallic symbol. 377 00:35:26,944 --> 00:35:29,174 I mean, with the grasp... 378 00:35:29,347 --> 00:35:33,251 But the lower structural form is certainly feminine... 379 00:35:33,351 --> 00:35:35,901 ...and, if anything, motherly. 380 00:35:36,287 --> 00:35:40,877 In fact, the utilization of the bow, I would imagine... 381 00:35:41,125 --> 00:35:44,695 ...is the sublimation of stroking a torso. 382 00:35:44,829 --> 00:35:48,399 So, between the grasping of the phallic... 383 00:35:48,533 --> 00:35:50,369 ...and the stroking of the torso would create, 384 00:35:50,469 --> 00:35:51,469 I would imagine... 385 00:35:51,569 --> 00:35:55,054 ...great conflict even at the age of six. 386 00:36:04,348 --> 00:36:07,351 Virgil Starkwell becomes part of an escape plot. 387 00:36:07,451 --> 00:36:11,021 His every move becomes tense and strained. 388 00:36:46,624 --> 00:36:50,094 ...take the guards on our floor with us, so be ready if there's trouble. 389 00:36:50,194 --> 00:36:52,864 I don't understand how we're gonna get past the main tower. 390 00:36:52,964 --> 00:36:55,099 We're gonna be dressed as guards. 391 00:36:55,199 --> 00:36:58,336 That's why Friday at noon, because you work in the laundry... 392 00:36:58,436 --> 00:37:00,706 ...you're gonna steal the guard's underwear. 393 00:37:00,806 --> 00:37:01,806 What? 394 00:37:01,906 --> 00:37:04,442 We already got some uniforms stashed in a dark room. 395 00:37:04,542 --> 00:37:07,778 I don't understand. Why do you need the underwear? 396 00:37:07,878 --> 00:37:10,314 We want to do this as realistically as possible. 397 00:37:10,414 --> 00:37:13,049 I'm known for my detailed work. 398 00:37:17,688 --> 00:37:19,688 Forward in twos. 399 00:37:53,591 --> 00:37:58,196 Sir, we can't find our underwear. - I think something's up. 400 00:37:58,296 --> 00:38:00,761 We better keep our eyes open. 401 00:38:02,266 --> 00:38:05,436 The warden knows something is up. Better call off the break. 402 00:38:05,536 --> 00:38:07,104 What? 403 00:38:07,