Shutter Island

00:06:10,287 --> 00:06:12,244 that you need to turn the scene around. 117 00:06:12,330 --> 00:06:15,493 We were here for three weeks before we started shooting the movie. 118 00:06:15,584 --> 00:06:19,999 And that started with sitting down, talking about the characters. 119 00:06:20,088 --> 00:06:24,298 We talked a lot about the history, we talked some mythology. 120 00:06:24,384 --> 00:06:28,218 And it's a very collaborative kind of rehearsal, which is really nice. 121 00:06:28,305 --> 00:06:31,673 And then we do a lot of reading, re-read the scenes, 122 00:06:31,766 --> 00:06:33,803 chiseling off rough edges, 123 00:06:33,894 --> 00:06:38,104 working on some re-write stuff as we go along with Laeta, the writer. 124 00:06:38,189 --> 00:06:41,477 And just bumping our way through the world 125 00:06:41,568 --> 00:06:44,276 and making a comfortable place for us. 126 00:06:44,362 --> 00:06:47,275 And then we do the same thing on set. 127 00:06:47,365 --> 00:06:51,154 One great thing about Marty is he really does love actors 128 00:06:51,244 --> 00:06:54,236 and he loves the process that an actor goes through. 129 00:06:54,331 --> 00:06:57,323 It's a fantastic cast and I'm so proud to be part of it. 130 00:06:57,417 --> 00:06:58,578 But very daunting. 131 00:06:58,668 --> 00:07:01,251 I mean, it was very daunting to have to go mad on a set... 132 00:07:01,338 --> 00:07:02,499 Who are these men? 133 00:07:02,589 --> 00:07:05,707 ...with Mark Ruffalo and Leonardo DiCaprio 134 00:07:05,800 --> 00:07:08,258 and Sir Ben Kingsley, all looking at me. 135 00:07:08,345 --> 00:07:10,131 Who the fuck are you? 136 00:07:10,221 --> 00:07:13,384 - Who are you? - It's okay. Rachel. Rachel, it's all right. 137 00:07:13,558 --> 00:07:16,641 Okay, guys. And action! 138 00:07:16,770 --> 00:07:18,556 I think all roads lead to Marty. 139 00:07:18,647 --> 00:07:21,639 And I'm in danger of banging on about myself. 140 00:07:21,733 --> 00:07:25,647 So, myself excluded, I think he's cast the film brilliantly. 141 00:07:25,737 --> 00:07:30,231 Leo is at that Hamlet stage of his life. 142 00:07:30,325 --> 00:07:35,365 Mark, he radiates affection and loyalty and massive persistence. 143 00:07:35,455 --> 00:07:37,947 And on the set, wonderful imagination. 144 00:07:38,041 --> 00:07:40,749 Michelle brings a beautiful vulnerability. 145 00:07:40,835 --> 00:07:42,451 I wanna go home. 146 00:07:43,046 --> 00:07:45,708 Max von Sydow brings towering authority. 147 00:07:45,840 --> 00:07:48,207 Men like you are my specialty. 148 00:07:48,301 --> 00:07:49,712 Men of violence. 149 00:07:49,803 --> 00:07:52,966 I know. Can you imagine? You show up at a mental institution 150 00:07:53,056 --> 00:07:57,846 and Sir Ben Kingsley and Max von Sydow are your doctors. 151 00:07:59,646 --> 00:08:02,479 Oh, my. Although, it's kind of sexy. 152 00:08:02,565 --> 00:08:06,058 All these people Marty has placed like 153 00:08:06,152 --> 00:08:10,567 a painter placing one color next to another for great effect. 154 00:08:10,782 --> 00:08:12,648 Good. We're done. 155 00:08:12,742 --> 00:08:19,489 It's just like the virtuoso filmmaking of Martin Scorsese in this type of picture. 156 00:08:19,582 --> 00:08:23,325 It's his playground, it's everything that he loves about film, 157 00:08:23,420 --> 00:08:28,256 the period he loves, the style he loves, the genre he loves. 158 00:08:30,760 --> 00:08:32,342 In terms of the music for the picture, 159 00:08:32,429 --> 00:08:34,670 we decided that an old friend of mine, Robbie Robertson, 160 00:08:34,764 --> 00:08:37,381 who used to be a member of The Band, would work on it. 161 00:08:37,517 --> 00:08:39,428 We worked together on a number of pictures. 162 00:08:39,519 --> 00:08:42,352 And I said, "Instead of having a score written for the picture, 163 00:08:42,439 --> 00:08:45,352 "what if we take music from modern composers 164 00:08:45,442 --> 00:08:49,401 "and try to do something where you use sections and move them around, 165 00:08:49,487 --> 00:08:51,649 "and create a world of sound?" 166 00:08:52,157 --> 00:08:55,866 And so we pulled together pieces by a number of composers. 167 00:08:56,411 --> 00:08:59,369 There's a piece by Ingram Marshall called Fog Tropes 168 00:08:59,456 --> 00:09:01,914 that begins the film on the boat. 169 00:09:02,167 --> 00:09:04,534 You don't quite know whether it's a fog horn or it's music. 170 00:09:05,879 --> 00:09:07,290 It's just water. 171 00:09:08,631 --> 00:09:10,372 It's a lot of water. 172 00:09:14,929 --> 00:09:18,388 There's a piece called On the Nature of Daylight by Max Richter. 173 00:09:18,475 --> 00:09:21,809 A beautiful theme that is used in a dream scene 174 00:09:21,895 --> 00:09:24,136 where he dreams of his wife in the apartment. 175 00:09:24,314 --> 00:09:25,896...