Rise of the Planet of the Apes

but he happens to look like a chimpanzee. 485 00:29:44,200 --> 00:29:45,200 Caesar, eat your food. 486 00:29:53,840 --> 00:29:55,560 Silent scene. 487 00:29:56,720 --> 00:29:58,800 That just says everything about the sudden change 488 00:29:58,880 --> 00:30:01,160 in fortunes of Charles' health. 489 00:30:02,960 --> 00:30:04,600 This drug has now stopped working. 490 00:30:11,720 --> 00:30:13,400 Dad, are you okay? 491 00:30:14,240 --> 00:30:15,760 Yeah, I'm fine. 492 00:30:24,800 --> 00:30:26,160 Antibodies. 493 00:30:26,720 --> 00:30:29,680 His system has found a way to fight the 112 virus 494 00:30:29,760 --> 00:30:31,880 so that it can't deliver its therapy. 495 00:30:32,920 --> 00:30:36,480 My father's disease is going to return with a vengeance. 496 00:30:37,480 --> 00:30:42,200 Again the brilliance of the world outside can also be searing hot. 497 00:30:42,280 --> 00:30:44,560 It can also be blinding, I suppose. 498 00:30:44,640 --> 00:30:50,600 And that's what we wanted to show through the lighting. 499 00:30:50,840 --> 00:30:53,320 Darkened interior, stepping out into the bright light, 500 00:30:53,600 --> 00:30:55,560 and that bright light can also be dangerous. 501 00:30:56,840 --> 00:31:01,880 That's a little nod towards what everybody knows. 502 00:31:02,120 --> 00:31:04,440 Actually, it's not just that in some ways. 503 00:31:04,520 --> 00:31:06,800 It also represents liberty, obviously, 504 00:31:07,520 --> 00:31:11,800 and Caesar is not free. He is trapped in an attic. 505 00:31:12,120 --> 00:31:14,920 Also it displays his intelligence building a model so... 506 00:31:16,280 --> 00:31:17,280 Here we go. 507 00:31:24,880 --> 00:31:27,320 This is the real turning point. 508 00:31:30,560 --> 00:31:31,760 You stop right now! 509 00:31:32,160 --> 00:31:33,440 Hey! Hey! 510 00:31:33,600 --> 00:31:36,400 Get out of there! Get out of that car! 511 00:31:36,800 --> 00:31:39,000 What the hell are you doing? Get out of my car! 512 00:31:39,320 --> 00:31:42,440 I said get out of my car! 513 00:31:43,680 --> 00:31:45,720 I'm a pilot! I got to get to the airport! 514 00:31:45,840 --> 00:31:47,280 How am I going to get there now, huh? 515 00:31:49,120 --> 00:31:50,840 Love the fog on the glass. 516 00:31:50,920 --> 00:31:52,280 Again, all created by Weta. 517 00:31:52,360 --> 00:31:55,160 When you have a CG-rendered character, 518 00:31:55,240 --> 00:31:58,120 everything they touch, everything that they breathe onto, 519 00:31:59,520 --> 00:32:02,280 actually therefore also needs to be computer generated. 520 00:32:02,800 --> 00:32:05,160 It's that sort of marriage between the real world 521 00:32:05,240 --> 00:32:07,600 and their world, and so much detail involved. 522 00:32:08,440 --> 00:32:10,000 You stay right there! 523 00:32:11,280 --> 00:32:12,520 No! 524 00:32:13,000 --> 00:32:16,240 Just to reiterate, this is Andy again. 525 00:32:16,320 --> 00:32:20,840 This is Andy straddling David, smacking him with his fists. 526 00:32:22,080 --> 00:32:23,760 I think actually Andy's first day on set. 527 00:32:38,600 --> 00:32:40,880 It's a tough scene in some ways because we wanted to 528 00:32:41,160 --> 00:32:44,640 obviously show the strength of Caesar, that animalistic nature that he falls back on 529 00:32:44,720 --> 00:32:46,480 when he wants to protect his own. 530 00:32:47,200 --> 00:32:50,520 But also, you can't turn him into a monster. 531 00:32:51,720 --> 00:32:52,720 He is our protagonist. 532 00:32:53,680 --> 00:32:55,920 And that's the finger that was jabbing at Charles so... 533 00:32:56,000 --> 00:32:58,360 Long debates over whether that finger should come off or not. 534 00:32:58,440 --> 00:33:00,040 I'm actually quite pleased we didn't in some ways 535 00:33:00,120 --> 00:33:02,800 because I think it would have perhaps turned it to a point where 536 00:33:03,120 --> 00:33:05,360 we would have turned off from Caesar. 537 00:33:08,240 --> 00:33:11,760 It's that human realization right there that he has done wrong 538 00:33:12,840 --> 00:33:15,720 and needs to get back to the security of his family. 539 00:33:17,040 --> 00:33:18,280 But it's too late. 540 00:33:19,880 --> 00:33:21,200 It's okay. 541 00:33:23,040 --> 00:33:25,240 It's okay. You didn't mean it. 542 00:33:26,760 --> 00:33:28,120 It's okay. 543 00:33:29,760 --> 00:33:31,920 And it's sort of seeing 544 00:33:32,280 --> 00:33:34,680 that John Merrick moment in The Elephant Man 545 00:33:34,920 --> 00:33:37,560 that I was trying to echo in many ways here. 546 00:33:38,400 --> 00:33:39,880 Just seeing 547 00:33:40,120 --> 00:33:43,360 those that he felt he belonged to now see him as a freak, 548 00:33:43,440 --> 00:33:47,160 as an outsider, as something threatening. 549 00:33:49,120 --> 00:33:52,760 But he's still an i...