In the 1960s, British painter Francis Bacon surprises a burglar and invites him to share his bed. The burglar, a working class man named George Dyer, accepts. After the unique beginning to their love affair, the well-connected and volatile artist assimilates Dyer into his circle of eccentric friends, as Dyer's struggle with addiction strains their bond.
Love Is the Devil: Study for a Portrait of Francis Bacon is a Drama film released in 1998.
1 subtitle release available in English.
Movie Dialogue Sample
292
00:29:24,590 --> 00:29:27,130
Francis Bacon,
your work is known internationally
293
00:29:27,430 --> 00:29:31,220
as some of the most challenging and powerful
of the post-war years.
294
00:29:31,520 --> 00:29:36,230
You've resisted the Abstract movements,
which have dominated those years,
295
00:29:36,520 --> 00:29:39,810
and have championed the importance
of the figure in modern art.
296
00:29:40,110 --> 00:29:43,600
Why is the figure so important to you?
297
00:29:44,740 --> 00:29:49,480
Er... well, it's difficult
to describe, really.
298
00:29:49,780 --> 00:29:52,780
- One can only talk about one's instincts...
- Hm?
299
00:29:53,080 --> 00:29:54,820
..and avoid the rest.
300
00:29:55,120 --> 00:29:57,910
I do it with a chance brush stroke
301
00:29:58,210 --> 00:30:00,040
which locks the magic in place.
302
00:30:00,340 --> 00:30:02,120
It's a fortuitous thing.
303
00:30:02,420 --> 00:30:04,960
It's not something I can
predict or orchestrate.
304
00:30:05,260 --> 00:30:07,670
The work carries the mark of life,
305
00:30:09,140 --> 00:30:15,050
rather like a man whose flesh
retains the scars of an accident.
306
00:30:15,890 --> 00:30:18,930
I suppose there are scars on the psyche too.
307
00:31:50,650 --> 00:31:52,650
I was in a cold sweat.
308
00:31:53,700 --> 00:31:55,690
I ran so bloody fast, I tell you.
309
00:32:00,210 --> 00:32:02,200
Oh, not another cigarette.
310
00:32:04,290 --> 00:32:06,280
George, we all have nightmares.
311
00:32:07,130 --> 00:32:09,370
They can't be as horrific as life.
312
00:32:10,090 --> 00:32:12,130
I'm having these dreams more and more.
313
00:32:13,430 --> 00:32:15,970
And, you know, it feels like a...like a...
314
00:32:16,260 --> 00:32:18,430
- Like a premonition.
- Premonition.
315
00:32:20,020 --> 00:32:22,010
An omen of things to come.
316
00:32:25,690 --> 00:32:27,680
I bloody hope not.
317
00:32:36,580 --> 00:32:38,570
I watch him while he's sleeping.
318
00:32:40,120 --> 00:32:42,110
A prisoner of dreams.
319
00:32:43,120 --> 00:32:46,540
Fighting the battle
he's always going to lose.
320
00:32:48,090 --> 00:32:50,080
But I'm powerless to help him,
321
00:32:51,090 --> 00:32:53,080
as I'm powerless to help myself.
322
00:32:54,510 --> 00:32:56,500
So I watch.
323
00:32:57,300 --> 00:32:59,050
And wait.
324
00:34:27,690 --> 00:34:29,600
Now...
325
00:34:29,900 --> 00:34:32,350
out into the gymnasium of the city...
326
00:34:34,860 --> 00:34:37,480
..to cast my rod into the sewer...
327
00:34:42,240 --> 00:34:44,230
..and see what comes up this time.
328
00:34:49,040 --> 00:34:51,330
- Good evening, Mr B.
- Ah, good evening.
329
00:34:52,250 --> 00:34:54,240
That's all right.
330
00:34:54,590 --> 00:34:56,450
Nice to see you back so soon, sir.
331
00:34:56,760 --> 00:34:58,500
Have we met before?
332
00:34:58,800 --> 00:35:02,540
Not exactly, sir. I helped your friend
out of the building the other night.
333
00:35:02,850 --> 00:35:04,430
- My...
- You were busy at the tables.
334
00:35:04,720 --> 00:35:06,510
Oh, yes. George, Mr Dyer.
335
00:35:06,810 --> 00:35:08,720
Oh, yes, I remember.
336
00:35:09,440 --> 00:35:12,180
Yes, I remember.
Well, it's good to see you again.
337
00:35:12,480 --> 00:35:15,600
Why not pop in for a drink
when you're finished up here? Hm?
338
00:35:15,900 --> 00:35:17,310
As my guest?
339
00:35:17,610 --> 00:35:19,350
I don't mind if I do, sir.
340
00:35:19,650 --> 00:35:22,940
- I'll have a word with the boss.
- Yes, you do that. So will I.
341
00:35:29,750 --> 00:35:31,740
That's all, thank you. No more bets.
342
00:36:22,720 --> 00:36:26,090
This painful inability
to sustain relationships.
343
00:36:26,930 --> 00:36:30,890
The selfishness my work demands
leaves no room for an emotional self.
344
00:36:31,850 --> 00:36:36,060
Can tenderness ultimately only manifest
itself in the motion of a brush?
345
00:36:37,110 --> 00:36:39,100
Even this remains invisible.
346
00:36:40,650 --> 00:36:42,310
The visceral reach,
347
00:36:42,610 --> 00:36:46,110
running fingertips along the curved notches
of a spine.
348
00:36:46,950 --> 00:36:51,120
The line of a femur,
the curl of tendon into muscle.
349
00:36:52,410 --> 00:36:54,120
The smell.
350
00:36:54,420 --> 00:36:56,450
To violate, desecrate,
351
00:36:56,750 --> 00:36:58,660
to examine a person from the inside,
352
00:36:59,590 --> 00:37:03,920
eroticising the white shirt cuff
glimpsed beneath a dark suit.
353
00:37:04,220 --> 00:37:08,430
The girth, the solids, the sack of flesh,
354
00:37:09,140 --> 00:37:11,050
just offal bags.
355
00:37:11,350 --> 00:37:13,140
Ruminating intestines.
356
00:37:13,440 --> 00:37:17,150
Fine wines filled and swilled with rich food,
357
00:37:18,440 --> 00:37:23,650
trying to create some distance
between myself and some dead lover.
358
...
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