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Performance.
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Performance.

1970
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In underworld terms, Chas Devlin is a 'performer,' a gangster with a talent for violence and intimidation. Turner is a reclusive rock superstar. When Chas and Turner meet, their worlds collide—and the impact is both exotic and explosive.

Performance. is a Crime, Drama film released in 1970.

5 subtitle releases available in English. 3 releases include Hearing Impaired (HI) subtitles.

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More About Performance.

See them all in a film about fantasy. And reality. Vice. And versa.

Directed by Nicolas Roeg.

Starring:
James FoxMick JaggerAnita PallenbergMichèle BretonAnn Sidney

Spoken languages: English. Produced in: United Kingdom.

View on IMDb

Movie Dialogue Sample

00:37:02,846 --> 00:37:05,899 Powis Square, Notting Hill Gate. 485 00:37:49,476 --> 00:37:50,777 (RINGS) 486 00:38:05,325 --> 00:38:07,002 (RINGS) 487 00:38:10,622 --> 00:38:13,749 WOMAN (OVER INTERCOM): This is a recording. Speak now what you want. 488 00:38:13,750 --> 00:38:15,083 (WOMAN BLOWS A RASPBERRY) 489 00:38:15,084 --> 00:38:16,710 Hello, is Mr. Turner there? 490 00:38:16,711 --> 00:38:18,754 WOMAN (OVER INTERCOM): Speak on the third peep. 491 00:38:18,755 --> 00:38:21,757 - Peep. Peep. Peep. - Oh, uh... 492 00:38:21,758 --> 00:38:24,760 Uh, I'm a... I'm a friend of Noel's. 493 00:38:24,761 --> 00:38:26,220 An old friend. 494 00:38:26,221 --> 00:38:27,471 It's about the room. 495 00:38:27,472 --> 00:38:29,765 - WOMAN (OVER INTERCOM): So... - The basement room. 496 00:38:29,766 --> 00:38:31,350 I've just seen him off actually. 497 00:38:31,351 --> 00:38:33,449 Me and his mom. 498 00:38:34,187 --> 00:38:37,272 Oh, good morning. Are you there? I'm a bit on the early side. 499 00:38:37,273 --> 00:38:39,871 WOMAN (OVER INTERCOM): You've got the wrong house, mister. 500 00:38:39,901 --> 00:38:42,795 - Fruit off. - No, listen. 501 00:38:43,279 --> 00:38:45,155 - I've got it right here. - Right where? 502 00:38:45,156 --> 00:38:48,659 - The back rent. It's 41 pound, right? - Mm. 503 00:38:48,660 --> 00:38:52,496 He said, "Just settle up with Mr. Turner and the room's yours, pal." 504 00:38:52,497 --> 00:38:54,248 - Stroke of luck, eh? - You think so? 505 00:38:54,249 --> 00:38:56,500 CHAS: I'm in the entertainment business. You know... 506 00:38:56,501 --> 00:38:59,378 show business. And I saw Noel at the railway... 507 00:38:59,379 --> 00:39:01,056 Hello? Hello? 508 00:39:01,381 --> 00:39:04,007 WOMAN (OVER INTERCOM): Oh, yes, yes. Is that you? 509 00:39:04,008 --> 00:39:06,718 - Yes. - The basement room, in the basement. 510 00:39:06,719 --> 00:39:08,428 That's it, dear. That's it. Yeah. 511 00:39:08,429 --> 00:39:10,764 - Down the back stairs. - Yeah. 512 00:39:10,765 --> 00:39:12,191 (BUZZER SOUNDS) 513 00:39:12,976 --> 00:39:15,352 WOMAN (OVER INTERCOM): Push! 514 00:39:15,353 --> 00:39:17,479 Do it again a bit longer. 515 00:39:17,480 --> 00:39:19,657 (BUZZER SOUNDS) 516 00:40:00,940 --> 00:40:02,412 (BANGING) 517 00:40:14,037 --> 00:40:16,715 - Hello. - I didn't recognize your voice. 518 00:40:16,831 --> 00:40:18,206 - CHAS: No? - PHERBER: No. 519 00:40:18,207 --> 00:40:20,305 Oh, no. I've been away, haven't I? 520 00:40:21,002 --> 00:40:23,211 And I don't recognize your face. 521 00:40:23,212 --> 00:40:25,139 My face? 522 00:40:25,882 --> 00:40:27,382 Oh, uh... 523 00:40:27,383 --> 00:40:29,051 Well, you should see the motor. 524 00:40:29,052 --> 00:40:31,553 - PHERBER: See the what? - My motor. 525 00:40:31,554 --> 00:40:35,265 We had a little argument with a cement wall on the way up from Dover. 526 00:40:35,266 --> 00:40:37,694 Goodbye, the Ferrari. 527 00:40:40,021 --> 00:40:42,244 It's down here, right? 528 00:40:42,523 --> 00:40:44,274 First left I think he said. 529 00:40:44,275 --> 00:40:46,452 Oh, my mistake. 530 00:40:50,281 --> 00:40:52,240 PHERBER: Goodbye, the Rolls Royce. 531 00:40:52,241 --> 00:40:54,326 I know what you mean. 532 00:40:54,327 --> 00:40:57,871 Look after my gear, pal. My big horn. 533 00:40:57,872 --> 00:41:00,332 CHAS: Yeah, there I was just back from the continent... 534 00:41:00,333 --> 00:41:03,126 from a continental tour and this had to happen. 535 00:41:03,127 --> 00:41:06,021 Oh, very nice. 536 00:41:07,256 --> 00:41:09,675 It's characteristic. 537 00:41:09,676 --> 00:41:11,603 I'll take it. 538 00:41:14,305 --> 00:41:15,857 Uh-huh. 539 00:41:16,140 --> 00:41:18,863 Dean's the name. Johnny Dean. 540 00:41:20,770 --> 00:41:22,145 Look, regards from Noel. 541 00:41:22,146 --> 00:41:24,147 I got 41 pounds for you. 542 00:41:24,148 --> 00:41:25,565 I owe it to him actually... 543 00:41:25,566 --> 00:41:28,318 but that's another story, and I won't bore you with it. 544 00:41:28,319 --> 00:41:32,572 So, uh, a week in advance will be, uh... 545 00:41:32,573 --> 00:41:34,125 Sixty-six pounds. 546 00:41:34,617 --> 00:41:35,993 - Sixty-six pounds. - Plus... 547 00:41:35,994 --> 00:41:39,047 one week deposit on the fittings and the fixtures... 548 00:41:39,330 --> 00:41:42,791 plus, I should have a banker's reference. 549 00:41:42,792 --> 00:41:45,561 Listen, uh, that's, uh... 550 00:41:45,920 --> 00:41:47,767 Extortionate? 551 00:41:49,132 --> 00:41:53,608 - Of course. - Uh, well, uh, I'd say that was... 552 00:41:54,887 --> 00:41:58,111 - One hundred and thirty-two pounds. - Oh. 553 00:42:04,147 --> 00:42:06,064 How do you entertain? 554 00:42:06,065 --> 00:42:07,742 (YAWNS) 555 00:42:10,153 --> 00:42:11,695 - I juggle. - Juggl

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