SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.
Seduced and Abandoned is a Documentary film released in 2013.
1 subtitle release available in English.
Movie Dialogue Sample
722
00:35:43,183 --> 00:35:45,560
Most of the movie in the
festival are movie that
723
00:35:46,603 --> 00:35:48,355
if the only person will go is
724
00:35:48,396 --> 00:35:51,233
their mothers and
cousins, that's all.
725
00:35:51,274 --> 00:35:53,318
- What is fantastic
about Cannes is that
726
00:35:53,360 --> 00:35:56,238
a Romanian film,
or a Belgian film,
727
00:35:56,279 --> 00:35:59,533
or a Danish film, or a
Uruguayan film is shown
728
00:35:59,574 --> 00:36:02,369
at the same time with the
same number of journalists.
729
00:36:02,410 --> 00:36:03,870
- Therefore, it has a chance.
730
00:36:03,912 --> 00:36:07,249
- Exactly, as a big American
production with big stars.
731
00:36:07,290 --> 00:36:11,127
- The big films protect
the small films.
732
00:36:11,169 --> 00:36:14,381
The stars protect
the unknown actors.
733
00:36:14,422 --> 00:36:16,007
- When I make a movie,
734
00:36:16,049 --> 00:36:18,593
all I think is
what's the profit.
735
00:36:18,635 --> 00:36:19,886
Before I make a movie,
736
00:36:19,928 --> 00:36:21,638
I know how much I'm
going to sell it.
737
00:36:21,680 --> 00:36:26,101
So it's got nothing to do
with the creative part of it.
738
00:36:26,143 --> 00:36:28,979
I look at it as purely business.
739
00:36:29,020 --> 00:36:31,398
- Cinema is not poetry,
it's not painting.
740
00:36:31,439 --> 00:36:32,899
You need money.
741
00:36:32,941 --> 00:36:36,653
And we had sometime
people saying, well,
742
00:36:36,695 --> 00:36:40,115
it's a big commercial
Barnum Circus here,
743
00:36:40,157 --> 00:36:42,951
say, but please,
it's very important.
744
00:36:42,993 --> 00:36:46,830
The day we won't have anymore
advertising everywhere
745
00:36:46,872 --> 00:36:48,874
will mean that there
is no money anymore.
746
00:36:48,915 --> 00:36:50,542
No money, no films.
747
00:36:50,584 --> 00:36:53,044
So we don't have to
be naive with that.
748
00:36:53,086 --> 00:36:55,672
- But I think this is what
is great about Cannes,
749
00:36:55,714 --> 00:36:58,967
it's an hybrid. I mean, Melhor
wrote an essay on cinema
750
00:36:59,009 --> 00:37:01,845
and the famous last
sentence of the essay,
751
00:37:01,887 --> 00:37:04,514
besides cinema is an industry.
752
00:37:04,556 --> 00:37:07,184
And I think the fact that
Cannes has always remembered
753
00:37:07,225 --> 00:37:10,562
that line, it was also an
industry, to combine the two
754
00:37:10,604 --> 00:37:13,899
because this is the nature
of cinema, it's imperfect.
755
00:37:13,940 --> 00:37:17,569
- We wanna make a movie,
which is set in Iraq.
756
00:37:17,611 --> 00:37:19,571
It is something very polarizing.
757
00:37:19,613 --> 00:37:21,072
We come together and we have
758
00:37:21,114 --> 00:37:23,867
these bizarre sexual encounters.
759
00:37:23,909 --> 00:37:26,703
- Do you want me to send
you a movie that we've done?
760
00:37:26,745 --> 00:37:28,055
- Oh, you already
made this movie, okay.
761
00:37:28,079 --> 00:37:30,165
That's a wrap, let's go.
762
00:37:30,207 --> 00:37:33,835
And now I am coming off
the TV show, six years,
763
00:37:33,877 --> 00:37:35,212
next year I have a half season,
764
00:37:35,253 --> 00:37:37,005
seven years, then we're done.
765
00:37:37,047 --> 00:37:39,591
And I'm going to, I
don't like to say this
766
00:37:39,633 --> 00:37:41,760
in some lofty way,
but I'm going to
767
00:37:41,802 --> 00:37:44,429
reenter filmmaking as a career.
768
00:37:44,471 --> 00:37:45,948
Do you think you could
be in the movie business
769
00:37:45,972 --> 00:37:46,972
with me again?
770
00:37:47,974 --> 00:37:49,643
- Definitely, but
not by yourself.
771
00:37:49,684 --> 00:37:50,936
I will have to support you.
772
00:37:50,977 --> 00:37:52,288
- You lay out all
the cards, exactly.
773
00:37:52,312 --> 00:37:53,563
- Listen.
774
00:37:53,605 --> 00:37:54,731
- There's gotta be a woman.
775
00:37:54,773 --> 00:37:55,792
- That's what they
know me about.
776
00:37:55,816 --> 00:37:57,567
I tell people what I,
777
00:37:57,609 --> 00:38:01,071
you need to get
support with other
778
00:38:01,112 --> 00:38:02,948
movie style people around you.
779
00:38:02,989 --> 00:38:06,201
Like Gerard Butler
supported with another four
780
00:38:07,369 --> 00:38:08,453
and what's his name.
781
00:38:08,495 --> 00:38:09,722
- So you want my
character to go to Iraq,
782
00:38:09,746 --> 00:38:11,498
you want me to fuck
four women in a hotel.
783
00:38:11,540 --> 00:38:12,666
- Five, if possible.
784
00:38:12,707 --> 00:38:14,668
- Five.
- Make it better.
785
00:38:14,709 --> 00:38:19,005
That in today world, very
difficult or nearly impossible,
786
00:38:19,047 --> 00:38:22,676
one man to make the
movie on his own name.
787
00:38:22,717 --> 00:38:24,052
- You know, years ago,
788
00:38:26,179 --> 00:38:28,390
pe
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