Gene Kelly and Fred Astaire present more golden moments from the MGM film library, this time including comedy and drama as well as classic musical numbers.
That's Entertainment, Part II is a Documentary, Music film released in 1976.
1 subtitle release available in English.
Movie Dialogue Sample
from far and near,
833
00:43:53,015 --> 00:43:54,665
they're coming here
834
00:43:54,765 --> 00:43:56,867
church bells are ringing
835
00:43:56,967 --> 00:43:58,786
bringing all the little
836
00:43:58,787 --> 00:44:00,604
dollies from the pollies
837
00:44:00,671 --> 00:44:03,207
with the painted cheeks
838
00:44:03,307 --> 00:44:04,867
little mama doll
839
00:44:04,868 --> 00:44:06,427
for weeks and weeks
840
00:44:06,428 --> 00:44:09,546
has fussed around
841
00:44:09,647 --> 00:44:11,215
shoo the blues,
842
00:44:11,216 --> 00:44:12,783
no time to lose
843
00:44:12,850 --> 00:44:14,151
bikes and shoes
844
00:44:14,152 --> 00:44:15,452
will spread the news
845
00:44:15,519 --> 00:44:17,121
that it's a holiday
846
00:44:17,187 --> 00:44:19,206
today's the wedding
847
00:44:19,207 --> 00:44:21,225
of the little painted doll.
848
00:44:45,716 --> 00:44:47,902
I've come to the conclusion
849
00:44:47,903 --> 00:44:50,087
to write a popular song.
850
00:44:47,903 --> 00:44:50,087
That it's a very simple matter
851
00:44:50,187 --> 00:44:51,672
Kelly: Let's see how
852
00:44:51,673 --> 00:44:53,157
feels about that.
853
00:44:51,673 --> 00:44:53,157
Song writer Sammy cahn
854
00:44:53,223 --> 00:44:54,942
writing a song can be
855
00:44:54,943 --> 00:44:56,660
agony or ecstasy.
856
00:44:56,727 --> 00:44:58,362
It can take half an hour
857
00:44:58,363 --> 00:44:59,997
or half a year,
858
00:45:00,064 --> 00:45:01,649
but when anyone
859
00:45:01,650 --> 00:45:03,233
writes a song in a movie,
860
00:45:03,333 --> 00:45:04,668
there never seems to be
861
00:45:04,669 --> 00:45:06,003
any problem.
862
00:45:06,070 --> 00:45:07,822
Inspiration turns on
863
00:45:07,823 --> 00:45:09,573
faster than a light bulb.
864
00:45:09,673 --> 00:45:12,343
For instance, look how hard
865
00:45:12,344 --> 00:45:15,012
Ann sothern and Robert young
866
00:45:15,079 --> 00:45:16,230
have to struggle
867
00:45:16,231 --> 00:45:17,381
to write a song
868
00:45:17,448 --> 00:45:18,983
which was written
869
00:45:18,984 --> 00:45:20,517
by George and ira gershwin.
870
00:45:20,584 --> 00:45:21,819
Hey... "Oh, sweet
871
00:45:21,820 --> 00:45:23,053
and lovely."
872
00:45:23,120 --> 00:45:24,822
Oh, sweet and lovely,
873
00:45:24,823 --> 00:45:26,523
can it be true?
874
00:45:26,590 --> 00:45:28,525
You are the one
875
00:45:28,592 --> 00:45:30,394
baby, be mine
876
00:45:30,461 --> 00:45:32,062
baby, be mine.
877
00:45:32,129 --> 00:45:33,747
Oh, sweet and lovely,
878
00:45:33,748 --> 00:45:35,365
baby, be mine
879
00:45:35,432 --> 00:45:37,367
baby, be good
880
00:45:37,434 --> 00:45:38,902
lady, be good
881
00:45:38,969 --> 00:45:40,704
- that's it.
- "Lady, be good."
882
00:45:40,771 --> 00:45:42,089
Oh, sweet and lovely,
883
00:45:42,090 --> 00:45:43,407
lady, be good
884
00:45:43,474 --> 00:45:45,442
yeah!
885
00:45:45,542 --> 00:45:47,845
Oh, sweet and lovely,
886
00:45:47,846 --> 00:45:50,147
lady, be good
887
00:45:50,247 --> 00:45:52,233
oh, lady be good
888
00:45:52,234 --> 00:45:54,218
to me
889
00:45:54,284 --> 00:45:55,719
how's that?
890
00:45:55,786 --> 00:45:58,255
I am so awfully...
891
00:45:58,256 --> 00:46:00,724
Misunderstood
892
00:46:00,791 --> 00:46:03,727
so, lady be good
893
00:46:03,728 --> 00:46:06,663
to me
894
00:46:06,764 --> 00:46:08,732
- cahn: Lew ayres,
- prodded by al she an,
895
00:46:08,799 --> 00:46:11,401
- sets his love.
- For Jeanette MacDonald to music.
896
00:46:11,468 --> 00:46:12,620
You got something
897
00:46:12,621 --> 00:46:13,771
that's important,
898
00:46:12,621 --> 00:46:13,771
that hurts you,
899
00:46:13,837 --> 00:46:15,672
that means something.
900
00:46:15,773 --> 00:46:17,191
Well? Write it out.
901
00:46:17,192 --> 00:46:18,609
Put it in notes.
902
00:46:18,675 --> 00:46:20,794
Orchestrate it.
903
00:46:20,795 --> 00:46:22,913
And the brasses.
904
00:46:20,795 --> 00:46:22,913
Make the violins tell it,
905
00:46:22,980 --> 00:46:24,698
you never lost Mary hale.
906
00:46:24,699 --> 00:46:26,416
You lost yourself.
907
00:46:26,483 --> 00:46:27,735
You were like a bird
908
00:46:27,736 --> 00:46:28,986
that wouldn't fly,
909
00:46:29,086 --> 00:46:31,088
a fish that wouldn't swim,
910
00:46:31,155 --> 00:46:32,289
a musician that
911
00:46:32,290 --> 00:46:33,423
wouldn't write.
912
00:46:33,490 --> 00:46:35,592
Speaking a woman's name
913
00:46:35,593 --> 00:46:37,694
before you go to sleep...
914
00:46:35,593 --> 00:46:37,694
Night after night
915
00:46:37,795 --> 00:46:38,863
that's for nobodies,
916
00:46:38,864 --> 00:46:39,930
for weaklings.
917
00:46:39,997 --> 00:46:42,349
But you... you got to sing out
918
00:46:42,350 --> 00:46:44,701
on them so she'll hear it,
919
00:46:44,802 --> 00:46:47,171
and no mat
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